Watch out for the zombie apoca-lips.
Not Even ‘Green Book’ Can Stop Progress At The Oscars
The Best Picture choice can’t undermine progress on representation, diversity and the importance of spotlighting marginalized voices.
Richard E. Grant Is Awards Season’s Mensch
How To Write About Death When You Don’t Know How To Grieve
In Katharine Smyth’s new memoir, Virginia Woolf provides a comfort and a structure for unconventional mourning.
How ‘The Masked Singer’ Became 2019′s Must-See ‘Car Crash TV’
Television critics discuss why the haunting singing competition on Fox is the best way to rot your brain since hard drugs.
How Lorena Bobbitt Reclaimed Her Place In History
Tomi Ungerer Has Died, But His Frog-Centric Sex Bible Will Live Forever
Remembering the time the children’s author and erotic illustrator responded to a mob of prudish librarians with a well-placed F-bomb.
Hollywood’s Mid-Budget Comedies Aren’t What They Used To Be
Mel Gibson made $25 million for “What Women Want.” The entire budget for “What Men Want” was $22 million.
Zany Jake Gyllenhaal Is The Best Jake Gyllenhaal
The hamminess of his characters in “Nightcrawler,” “Okja” and “Velvet Buzzsaw” is a world apart from the Method-y naturalism that gets touted as great acting today.