Salma Hayek’s Dogs Crashed A Wedding Over Cake And The Story Is Hilarious

Salma Hayek’s dogs won’t let anything get between them and their cake, not even a bride and groom.

The star stopped by “The Ellen Show” on Wednesday to discuss her new movie “How to Be a Latin Lover” and ended up revealing how her dogs’ love of cake has gotten her into trouble. 

Hayek told host Ellen DeGeneres that one of the “worst” incidents took place at a very luxurious hotel in the Bahamas that didn’t want her to bring her dogs. The actress eventually convinced them to let her and two of her rescued dogs stay, but one night 17-year-old Lupe and her sister weren’t where she expected them to be.

“One day, I arrive and they’re not there,” Hayek said, referencing her dogs. “And then I hear this screaming and big commotion. And I have to tell you that Lupe loves cake more than anything in the world. You don’t know how many birthday parties were ruined … and I was like, ‘Oh, my god, this sounds like a cake.’” 

After following the screams, Hayek found her dogs crashing a “beautiful wedding” and feasting on the cake. 

“I see the beautiful wedding cake in a little table with two chairs for the bride and the groom,” she said. “Instead of the bride and the groom, there is Lupe and Angie sitting perfectly.”

Watch Hayek describe the scene and how she got her cake-loving dogs to behave in the clip above. 

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Short Film Empowers Bystanders To Prevent Sexual Assault

In honor of Sexual Assault Awareness Month, actress and filmmaker Rachel Leyco has released her new short film, “Say Something”. The short tackles the tough subject of sexual assault among romantic partners, which if often overlooked by traditional media despite the fact that most child and teen victims are assaulted by someone they know. The boundaries that exist between partners can make situations, like the one highlighted in Leyco’s film, complicated, but the same rules still apply. You don’t “get some” just because you’re in a relationship. Consent is still required. No means no. The film also highlights the power bystanders have to prevent sexual assault with the simplest of actions.

On her YouTube channel, Leyco actively speaks out about issues that plague the American entertainment industry. She’s one of many young actors fed up with an antiquated system, and “Say Something” is her latest effort to bring real world issues into her work.

Leyco recently sat down with Outspeak to discuss her new short, rape culture in America, and her upcoming projects.

Outspeak: Can you tell us a bit about why you wanted to make “Say Something” and its importance to you?

Rachel Leyco: This year, I made it a mission of mine to actively speak out on injustices in our society and break the stigma on issues that are usually swept under the rug. When I realized April is Sexual Assault Awareness Month, I knew I needed to create a story that would move others to take action in their everyday lives. Often, the depiction of sexual assault in film and TV is from the victim’s perspective, but the majority of society are the ones on the other side of this – the bystanders. It dawned on me that in order to powerfully move others to take action on rape prevention, the story needed to be told from the outsiders point of view.

O: Did you find it difficult to tackle the subject of sexual assault?

RL: Sexual assault has always been taboo in our society, mostly in part due to the fact that it’s a tough case to crack when it happens behind closed doors. But I’ve never been afraid to tackle controversial issues that matter, because I have such deep passion for love and justice. It’s important that we use our voice, our actions, and our talents to create a safe and loving climate here on earth.

O: How did you keep spirits high on set when dealing with a tough subject matter?

RL: Fortunately, I worked with some of my closest friends and really open, passionate talented creatives on this set. From the start, I wanted to create a fun and comfortable environment so we shot the party scenes first. When it came down to the actual assault scene, my actors were already acquainted with each other and just so willing to really dive into it. It was hard to watch the scene unfold, but knowing the message makes it worthwhile.

O: Sexual assault and rape culture are big issues in America right now, and we’re seeing more and more court cases, often going the way of the accused. What do you think of the current state of things?

RL: It’s such a nuanced issue. It’s really a case-by-case basis. But I’m so glad we’re talking about this more and more. I’m proud that victims are stepping up and speaking out. We should never stay silent on the truth. It’s so frustrating and unfortunate that college campuses try to silence victims when their reputation is on the line; they need and must do more to protect victims that come forward by a proper course of action in trial and investigation.

O: You’ve been vocal about the issues that exist within the film industry on your YouTube channel. Sexual assault cases are cropping up with many beloved actors and actresses. It’s obviously a good thing that it’s not staying silent, but there’s a lot of work to be done here. What are your thoughts on this?

RL: I’m extremely proud and excited about shows like “13 Reasons Why” and artists, like Brie Larson, coming forward in support of spreading awareness. It’s a brave step toward progress. I know the media has concerns about film and TV explicitly portraying sexual assault, as in “13 Reasons Why,” but there was nothing glamorous about any of those depictions. They were real, raw, and true. Sugarcoating these issues will only prevent us from the truth that we need to know. The more we, as artists, can convey the reality of these tragedies, the more we can shed light on ways to improve and heal our world.

O: What are your next projects in the works we can look out for?

RL: I am currently developing two web series: an anthology drama on mental health and a dramedy about an undocumented immigrant. I believe these are some pressing issues that need to be explored on a more deep substantial level that can, hopefully, open up some dialogue and enlighten our society in the realities of these issues.

For more details on sexual assault prevention and for helpful resources, visit

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New Sci-Fi Novel Is Set In A World Where Hillary Clinton Actually Won

In the aftermath of last year’s presidential election ― which turned out differently than most media outlets predicted ― the questions on a lot of minds seemed to be “How?” and “Why?”

Today, William Gibson ― the American-Canadian science fiction novelist behind the 1984 cyberpunk classic Neuromancer, in which he coined the term “cyberspace”  ― is exploring another question in his forthcoming novel: What if?

What if instead of electing President Donald Trump, whose first 100 days in office have in many ways chipped away at the constitutional value of free expression, Hillary Clinton had won instead?

Gibson applied this question to a book he was already working on before last year’s results came in. In an interview with The New York Times, he explained why he didn’t alter his plot after Trump’s victory. “It was immediately obvious to me that there had been some fundamental shift and I would have to rebuild the whole thing,” he said.

The result is a book ― titled Agency and due out in January 2018 ― set on two different timelines: in present-day San Fransisco, but with Clinton as president, and in London 200 years from now, after 80 percent of the human population has been killed off. Those still alive are trying to communicate with 2017, in an attempt to change the past.

Gibson is celebrated for his ability to synthesize what’s happening around him ― especially technological developments ― and take a good guess at what may happen in the near future.

In a 2014 interview with HuffPost about his last novel, The Peripheral, he said, “A shaming crowd, on Twitter, for instance, can feel like something out of Orwell,” predicting, perhaps knowingly, that the platform lends itself to manipulative speech and “very pure crowd dynamics.”

Sound familiar?

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This Kindergarten Teacher’s Students Can Dance Bachata Better Than Us

One Washington, D.C., teacher is passing on his love for salsa, bachata and more to his kindergarteners ― one dance step at a time. 

KIPP DC Promise Academy teacher Edwin Sorto, who is an experienced salsa dancer, and his classroom of “dancing minis” are viral sensations thanks to the videos he uploads to the Mr. Sorto’s Class Facebook page.

“They work incredibly hard at both academics and dance and they absolutely deserve the recognition,” Sorto told USA Today in an article published Wednesday. “They’re proud of what they do and love to see people’s reactions, comments, and likes on their videos. Their parents are also incredibly supportive. My kids are great, and this is just one more thing that keeps them engaged in school.”

There’s almost no musical genre too difficult for these kiddos, thanks to Sorto. They’ve mastered bachata …

salsa …. 

and merengue.

“It’s amazing the way they learn,” Sorto told Telemundo’s “¡Qué Noche! con Angélica y Raúl” last year. “The way they enjoy the music, just like we Latinos do.” 

As if that weren’t enough, Sorto is also teaching his students how to read in Spanish. “They’re only 5 but reading with confidence,” he wrote in the caption of a video of two students reading out loud. 

But these students’ claim to internet fame is certainly their sweet moves ― which go far beyond Latin genres.

“[I’m] now focused on building the next generation of dancers through my own students,” Sorto told USA Today.

Can we join in on these lessons? 

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Famous Artists Share Their Childhood Art In Support Of Arts Education

Arts education is currently in crisis, with over 4 million students around the country receiving no creative schooling whatsoever. Given President Donald Trump’s proposed budget cuts, including slashing the National Endowment for the Arts, the future forecast for art in schools looks grim.

An exhibition called “My Kid Could Do That” hopes to illuminate the importance of art instruction for all kids by showing the work that famed contemporary artists like Cecily Brown and Sanford Biggers made long before they were art world fixtures. 

The show, featuring the work of 24 established contemporary artists, is hosted by ProjectArt, an organization that provides after-school art classes to underfunded communities by turning public libraries into visual art classrooms and studios, offering year-round instruction to students who would not otherwise have access to artistic learning. 

ProjectArt was founded by Adarsh Alphons, who moved from India at 18 years old on a scholarship to study art. “In India, I used to draw a lot as a child and got in trouble because it wasn’t supported by the school system,” Alphons told HuffPost. “I was kicked out of school when I was 7 years old.”

Eventually, Alphons connected with a supportive teacher who nurtured his artistic talent and encouraged him to delve deeper into his creative practice. The effect this mentor had on Alphons, he expressed, was life-changing. Today ProjectArt holds art classes in 32 public libraries in three cities across the U.S., with plans to expand to eight cities over the next two years. 

Through this innovative exhibition, the team at ProjectArt hopes to show that no artist comes out of the womb with their talent and technique fully refined. And yet most artists featured, from a young age, did show incredible curiosity, observation, experimentation and style. 

Some of the featured artists created images as kids that, in some way, reflect the work they’re making as adults. Cecily Brown, for example, displayed an aptitude for capturing movement in paint from the age of 8 years old. Her student canvas, filled to the brim with abstract animals and trees, feels continually in flux, a mirage-effect her adult works contain as well. 

Of course, most of the featured artists have grown a great deal since their earliest creations, including Will Cotton, known for his hyperrealist paintings of sugar-coated wonderlands. Cotton’s 1972 work, created at the ripe age of 7, depicts his house. In a statement, Cotton expressed that the drawing constitutes an early example of his interest in “observed over symbolic representation.” It also features Cotton’s signature clouds. 

What helps an artist like Cotton go from boxy lime green crayon drawings to paintings that rake in over $100,000 at auction? You have one guess. ProjectArt’s show demonstrates in no uncertain terms how crucial art education is to current and future elementary school students. Not only is teaching art in schools proven to yield higher attendance and test scores, and increase likelihood of college attendance, it also ensures that the next generation will be enchanted and challenged by some stellar contemporary art. 

“My Kid Could Do That” takes place on Saturday, April 29, 2017, at Red Bull Arts New York. Visit ProjectArt’s website for more information on attending or volunteering. 

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Ta-Nehisi Coates’ Award-Winning Book Is Coming To The Apollo Stage

Ta-Nehisi Coates’ bold 2015 book exploring race in America is set to make its debut on the Apollo Theater stage. 

On Wednesday, the Harlem theater announced Coates’ award-winning Between the World and Me will be adapted into a multimedia performance for the Apollo’s 2017-2018 season. Directed by Apollo Executive Producer Kamilah Forbes with music commissioned by jazz musician Jason Moran, the performance event will present “excerpted selections, read monologue-style by notable guest artists, interspersed with music and visual projection design,” according to a press release.

In an effort to recreate her personal experience of reading the No. 1 New York Times’ best-seller, Forbes told NYT that she wants the special performance to expand on the book’s “solitary experience.”

“The second I put the book down, I wanted to call everyone who had read the book, and who would stay up with me at 3 a.m.,” she said. “The hope is that we’re taking that solitary experience of reading the book and expanding that to a collective experience.”

Forbes added that Coates will provide “creative guidance” and may possibly appear in the production, which is set to debut in April 2018.

Tickets for the Apollo’s 2017–18 season go on sale May 19. For more info, head to the Apollo Theater’s website.

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Michael Mantenuto, Star Of Disney’s ‘Miracle,’ Dead At 35

Actor and hockey player Michael Mantenuto, best known for his role in Disney’s 2004 sports drama “Miracle,” has died. He was 35. 

Mantenuto was found in his car by police after reportedly sustaining a self-inflicted gunshot wound on Monday afternoon in Des Moines, Washington, according to TMZ. Seattle’s King County medical examiner’s office told People that Mantenuto took his own life. 

Mantenuto, a former University of Maine hockey player, got his big break playing the real-life figure Jack O’Callahan in “Miracle,” which depicts the events surrounding 1980 Winter Olympics. O’Callahan was part of the winning American hockey team that unexpectedly bested the Soviet Union in a game that became known as the “Miracle on Ice.”

After the sports drama hit theaters, Mantenuto went on to appear in the 2006 TV movie “Dirtbags” and 2008’s “Surfer, Dude.” However, he later left Hollywood to enlist in the Army. 

Col. Guillaume “Will” Beaurpere of the U.S. Army’s 1st Special Forces Group announced Mantenuto’s death in a news release.

“Those of you that knew Mike will remember him for his passionate love for his family and his commitment to the health of the force,” he said. 

Mantenuto is survived by his wife and his two children, as well as his father and three sisters. 

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Refusing To Call ‘The Handmaid’s Tale’ A Feminist Story Does Us A Disservice

Trigger warning: this post contains discussion about rape, sexual abuse and mistreatment of women.

She’s special. She’s a princess. She has magic powers. She’s fertile. She has something they want and she’s locked up.

Women in captivity fascinate us. In ratios somewhat disproportionate to real life, subjugated women drive the plotlines of movies and television. Browse lists of the most acclaimed and most popular entertainment and you will surely find the theme of the caged woman. Sansa Stark in Game of Thrones, Ma in Room — heck, even little Eleven from Stranger Things fits the profile.

Therefore, it comes as no surprise that, yet again, a woman imprisoned, this time by an oppressive and religious government, is the protagonist in the brilliantly-crafted offering from Hulu, The Handmaid’s Tale.

Like a good feminist, I read Margaret Atwood’s chilling novel. Truth be told, the book disturbed me so much that I couldn’t finish it. I found the story bleak enough that I abandoned it just before the last 30 pages and read the Wikipedia plot summary to find out the ending.

Being kidnapped, held against my will and raped is one of my strongest fears. I consider this fear nearly every single day, certainly every time I’m returning home late at night. Why? Because I have to. Because I was raped. Because I’m a survivor of childhood sexual abuse. Because as women in this world, my fears aren’t irrational; they are real threats.

It’s been stated extensively in the coverage of this series that the very reason The Handmaid’s Tale is so eerie is its plausibility. The circumstances seem familiar because they are familiar. We live in a patriarchal society. Women are currently enslaved, worldwide. A notorious abuser of women is the leader of our country. It isn’t unimaginable that we could return to a time in which all American women are treated as chattel, traded, controlled. In fact, part of the tale’s effectiveness is that it reminds you how little time we’ve actually been “free” and how, in many ways, we take our rights for granted — as if freedom, once won, need never be fought for again.

I found it unnerving when I read that the cast, and even the producers, were diluting the message about female oppression. “I don’t feel like it’s a male or female story; it’s a survival story,” said showrunner Bruce Miller. Bullshit, I say. The show’s lead, Elisabeth Moss, told Vanity Fair that, in her opinion, the show is “not a feminist story.” She justified her statement saying, “It’s a human story, because women’s rights are human rights.” But she’s not quite right is she?

Hillary Clinton and other women use the phrase “Women’s rights are human rights” as a rallying cry for a reason; declaring our equality loud and proud isn’t stating the obvious — it is an attempt to point out the injustice women currently face. For similar reasons activists yell, “Black Lives Matter!” These social movements call out the gaslighting to which we are subjected. Women’s rights are under attack. Black people are not treated equally. We march and scream because we know that oppression is real — even if those in power swear and up and down that it isn’t.

So, why are female characters always being locked up? That’s a question I’ll discuss in my next column, which explores the fear of female sexuality.

I’ll be blogging about The Handmaid’s Tale each week. See you next Thursday, and until then, I’ll meet you on Twitter.

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Powerful Viral Photos Show The Unstoppable #BlackMenOfYaleUniversity

Akintunde Ahmad has established some great friendships on campus as a student at Yale University, and he wanted to bring together some of his closest peers to capture the beauty of their bond.

So he hired professional photographer Vivian Dang to take images of him and eight of his black male friends. He then posted the pictures to Twitter earlier this week with the hashtag #BlackMenOfYaleUniversity. The tweet, which included four group photos, immediately went viral:

Black students make up just 10 percent of the student population at Yale, and Ahmad, who is a 21-year-old junior majoring in sociology, said he intentionally included the hashtag to make a bold statement about their presence on campus. 

“By no means do we represent all the black men at Yale (there are hundreds of us), but we hoped to just give a glimpse as to what OUR daily lives look like,” Ahmad told HuffPost in a email. “We hope that these photos serve to dispel some of the negative stereotypes surrounding black men, but also act as a positive, uplifting and inspiring image of black men on college campuses.”

Ahmad’s personal story is quite inspiring itself. He grew up in Oakland, California, and graduated from high school with a 5.0 GPA, 2100 SAT score and acceptances into almost every Ivy League school in the nation. But his success did not come without him overcoming much adversity ― growing up, his brother followed a different path and fell victim to gun violence and street crime before he was incarcerated for several years in 2013.

Ahmad says his studies are focused on social inequalities in America, and that he plans to pursue a doctoral degree in sociology and create a new field of research that focuses on the effects of gun violence and trauma in urban education. He also hopes to teach one day and perhaps become a consultant for government and education agencies.

“For me, being a black man on Yale is something that I embrace with pride,” he said, noting how he and the men in the picture all come from different communities and how grateful they are to have each other for support.

“I try to live every day to its fullest potential,” he added, “because I know how so many other black men in America haven’t been afforded the same opportunities that I have.”

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John Legend Adorably Gushes Over Fatherhood

John Legend is loving fatherhood.

Appearing on “The Late Show with Stephen Colbert” on Tuesday, the singer gushed over his 1-year-old daughter, Luna.

“It’s a different kind of love. It’s very pure. It’s unconditional,” he said. “But they haven’t earned it yet. They didn’t do anything. They just exist,” he joked.

When Colbert asked Legend about the the first time he held Luna, the artist got sentimental.

“It’s beautiful, it’s very emotional, and it brings you and your wife closer together,” he said. “It’s a very powerful feeling to see the product of your love right there in front of you.”

Happy birthday, Luna Simone!

A post shared by John Legend (@johnlegend) on

Since becoming parents last April, Legend and his wife, Chrissy Teigen, have been very open about their wild ride.

During his “Late Show” appearance, the dad spoke about how having a child changed their perspective on their own parents and how much they loved them. 

“Chrissy says, ‘If (our children) don’t want to come have dinner with us when we’re old and they don’t want to hang out or call us, I’m gonna be so sad,’” he said. “We put so much love into this.”

During the show, Legend also did a segment called “John Legend Makes Mundane Things Sound Sexy,” in which he sang about everyday tasks that parents know all too well ― like doing laundry and going to Costco. And of course, made them sound sexy.

John Legend is totally … legendary. 

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