Even The Resident Curator Is ‘Retiring’ From Trump’s White House

There will soon be yet another vacancy in President Donald Trump’s staff. William Allman, the White House curator, announced his plan to retire come June 1, after a career spanning over 40 years. 

Allman has worked in the White House since 1976, starting as a curatorial assistant before becoming head curator in 2002. He is responsible for maintaining thousands of artworks and decorative objects in the White House collection, working closely alongside an interior decorator and the Committee for the Preservation of the White House.

The White House announced Allman’s departure on Tuesday, along with a statement provided by the curator himself: “It has been a tremendous honor to serve eight presidents and first ladies in helping to preserve and beautify the White House, and maintain and interpret its wonderful collections of art and furnishings. As a steward of the museum component of an ever-evolving and ever-bustling home and office, I truly have had a dream job.”

In a 2011 interview with The Smithsonian, Allman described what he loved about his unique position. “The house is so alive,” he said, “because you have a new administration every four to eight years. We are commemorating the lives of an unending sequence of people that are ‘the presidency.’ So I think that the fact that it is a household collection, it doesn’t have just a narrow focus. It isn’t just a fine arts museum, or it isn’t just a history museum. But that it is a little bit of everything.”

White House communications director Stephanie Grisham thanked Allman in a statement for being “kind enough to stay on through the transition.” Allman was, according to CNN, one of the first members of residence staff to meet first lady Melania Trump when she toured the White House with former first lady Michelle Obama days after the election. He reportedly wanted to help ensure a smooth transition. 

News of Allman’s retirement comes just a week after White House chief usher, Angella Reid, was fired from her position. The Trump family will now be responsible for appointing a new curator. It will be interesting to see who in the art world will be up for the task of serving a first family whose proposed policies could have devastating effects on the arts.  

Regardless of who will replace him, Allman ― whose favorite piece in the White House is a portrait of George Washington in the East Room ― will be missed. As Betty Monkman, White House curator from 1997 to 2002, told The Washington Post: “His departure means the White House is losing its institutional memory in terms of the history of the house.”

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Ivanka Trump Is No Sheryl Sandberg

Ivanka Trump is sometimes tossed in the same category as Sheryl Sandberg, the Facebook executive who is an outspoken advocate for working women. On an extremely superficial level, both women seem to offer a polished, corporate version of feminism. But by almost every measure, the comparison is grossly unfair to Sandberg.

While Sandberg’s 2013 book Lean In drew criticism for focusing too much on a certain kind of privileged working woman, the book was a substantive, thoughtful and revealing exploration of why so few women reach the top in corporate America.

It was also a best-seller. Ivanka Trump’s latest book, which debuted last week, hasn’t come close to capturing the interest of, well … women who read, according to new data provided to HuffPost. In the book’s first five days on the market, Trump sold 10,445 print copies, according to data from The NPD Group/NPD BookScan provided exclusively to HuffPost. Digital sales numbers were not yet available. 

That’s nowhere near Sandbergian levels. Sandberg sold 74,176 print copies of Lean In in its first week in March 2013, according to NPD. The book sold similarly well digitally. It went on to spend 213 weeks on the best-seller list, selling 1.02 million copies to date in all its various editions.

Plus, Lean In managed to at least crack what we can call the paper ceiling in business books, a category overwhelmingly dominated by male authors. Over the past 10 years, women authors represented on average just 2 percent of total sales for the top 100 business books on an annual basis, according to NPD. But in 2013, thanks to Lean In, women’s share rose to 14 percent.

The title of Trump’s book, Women Who Work, was inspired by Lean In, as the New York Times recently reported. And the covers of the two books are eerily similar. However, Trump’s book is essentially a book-length Instagram post ― a mashup of misapplied quotations and bland work-life advice ostensibly for women (but really for well-off white ladies) not worthy of your time. It has received scathing reviews. The book has “more fonts than original thoughts,” as Samantha Bee put it in her sendup on Wednesday night.

Meanwhile, Sandberg’s book launched a conversation about working women that led to more analysis and thought from a raft of others. It also inspired a lot of copycat books.

Lean In was a “category creator,” Jennifer Rudolph Walsh, the book agent who represented Sandberg in her publishing deal, told HuffPost. Since its successful debut, many successful, polished women have released their own versions of self-help/women’s empowerment memoirs. In 2014, Arianna Huffington published Thrive and Sophia Amoruso came out with Girl Boss, which is now a series on Netflix.

The new category of books also spawned a cottage industry of women who pitch themselves as mentors and try to monetize feminist empowerment for millennial career-types who seem to only exist in marketing materials and commercials and Dove body-wash bottles.

Trump, who works in the White House, is just the latest iteration to emerge.

Comparing Sandberg to Trump is “like comparing a car with a chair,” said Walsh, who now sits on the board of Sandberg’s nonprofit LeanIn.org. “Other than they’re both female, there’s nothing similar.”

Sandberg’s follow-up book, Option B, which came out earlier this month, is also selling like crazy ―102,815 copies in print in its first week, according to NPD, and a spot at No. 1 on the New York Times bestseller list.

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Nationwide Art Project Is Making Space For Historic Women In All 50 States

Just before the presidential election in November 2016, Polish-American artist Olek revealed which candidate was getting her vote by hanging a massive portrait of Hillary Clinton over a New Jersey highway. Upon closer inspection, what initially appeared to be a billboard was actually ― in Olek’s signature style ― a 16-by-46-foot neon pink blanket, entirely crocheted by hand. 

Days later, Olek, like the rest of the world, learned that Clinton had lost the election and Donald Trump was to be president of the United States. “I immediately thought, I wish I had done more,” Olek told HuffPost in a phone call. “Then I thought: ‘Wait a second, I still can.’”

Olek, born Agata Oleksiak, moved to the United States from Poland in 2003 and describes herself as a “young American and an old Pole” accordingly. At 38 years old, she is known for her experimental yarn creations, which combine the art of crochet ― with its traditional connotations of domestic “women’s work” ― with the tactics of guerrilla street art.

Her most iconic creations, or “yarn bombs” as they’re often dubbed, include covering the Wall Street bull sculpture with pink and purple camouflage and crocheting a massive fictionalized edition of The New York Times. Olek’s current project is as much about the process of its creation as the final result. 

Titled “Love Across the USA,” the piece will consist of 50 portraits of women who changed American history, displayed throughout all 50 states. “I want to honor women who fought their entire lives to open the doors for women like me,” Olek said. “Women who still don’t have enough space in history books.”

The artist will travel from state to state until 2020, inviting local community members to help create each work. This community collaboration is where the real impact of Olek’s project takes place.

“We’re living in a time when people are stuck to their computers,” she said. “I want to get people out of their homes, out of their habits. Community is so important. I’m getting people together.”

Olek isn’t sure exactly which women she will honor throughout the series, although she mentioned Nina Simone, Sojourner Truth and Michelle Obama as some names on her list. She plans to honor women who are significant to each state, hopefully illuminating some lesser-known heroines who have not been sufficiently recognized on a national stage. 

An inkling of Olek’s idea for the project emerged on election day, when Olek noticed viral photos and videos of women attaching their “I Voted” stickers to Susan B. Anthony’s grave in Rochester, New York. “It made me think, in the year 2020, women will only have been able to vote in this country for 100 years,” Olek said. “I knew I had to start with Susan B. Anthony.” 

In March, coinciding with Women’s History Month, Olek made the trek to Rochester to begin the project. She reached out for volunteers on social media beforehand, inviting crochet masters and novices alike to join her in the process. Over 200 volunteers gathered at the Schweinfurth Art Center in Auburn, New York, where Olek held a crochet workshop for anyone interested in learning the basics.

Using donated materials from Red Heart Yarn, each participant constructed a two-by-two-foot square, following a pattern Olek distributed. The squares were then combined to yield a towering portrait of a feminist icon. 

Susan B. Anthony ended up being Olek’s second subject; the first, whose image was hung in early May, depicts abolitionist Harriet Tubman. “I couldn’t choose, I had to do both,” Olek said. Alongside Tubman’s face reads the quote: “Slavery is the next thing to hell,” written against a shocking pink backdrop. Anthony’s portrait, currently in the works, will be revealed later in the month.

“I could not choose between Harriet and Susan,” Olek told HuffPost, adding that she “broke her rule” by choosing two subjects. The artist hopes to create at least one portrait in all 50 states but clearly is not opposed to adapting her mission along the way. 

Olek described her experience working with local crocheters in Rochester as “incredibly powerful.” She described working with collaborators in their 70s, who had been crocheting since before Olek was born, who worked late nights that creeped into mornings. She described working with fathers and sons who had never crocheted before, yet were eager to learn and help. 

The project is open to men and women of all political views. While crocheting together for hours on end, Olek explained, the volunteers often communicate about the many challenges of living in 2017. “We talk about what it means to be a women, what it means to support women,” Olek said. “We talk about health care, family, education. People form new friendships.”

Beyond the physical existence of the works, it is the intimate experience of working with strangers that brings Olek the most pride. “Making pieces in my studio is not the same as going into the world,” she said. “I see the effect, how public art can change people. It’s not only about seeing the piece, but the impact the work has on the community.”

Although the project was triggered in part by the election, Olek doesn’t describe her piece as explicitly political. “I want to go to red states, I want to go everywhere,” she explained. “Often artists don’t go to the smaller places, those are often the places that need us. Those people are equally important to the democracy of this country.”

Eventually, Olek hopes to develop a computer program that can help individuals create their own crochet patterns. Then they too can pay homage to the women who inspire them, by printing patters and crocheting from there. 

When describing how she landed upon her title for the ambitious endeavor, “Love Across the USA,” Olek recalled her experience preparing for the Women’s March in Washington, D.C., this January and deciding which sign to take with her. “I had this older piece in my studio that said, ‘Love Always Wins. Haha Not Really,’” she said.

“But then I realized, the times we live in are really bad. I can’t be sarcastic anymore. I ripped the last line from my piece and took ‘Love Always Wins’ to the march at D.C. I think love is so powerful it can conquer anything.” 

Follow “Love Across the USA” on Facebook to keep updated with Olek’s work and volunteer in your hometown. You can also email LoveAcrossTheUSA@gmail.com to get involved. 

Welcome to Battleground, where art and activism meet.

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Radical Storytelling Through Virtual Reality At The Define American Film Festival

“Movies are the most powerful empathy machine in all the arts. When I go to a great movie I can live somebody else’s life for a while. I can walk in somebody else’s shoes. I can see what it feels like to be a member of a different gender, a different race, a different economic class, to live in a different time, to have a different belief.

This is a liberalizing influence on me. It gives me a broader mind. It helps me to join my family of men and women on this planet. It helps me to identify with them, so I’m not just stuck being myself, day after day.

The great movies enlarge us, they civilize us, they make us more decent people.” ― Roger Ebert

At Define American, we believe that sharing our stories is the first step toward empathy, and that empathy is the first step toward positive cultural change. Right now, we need to share our stories more than ever. It will be radical cultural resistance through art and expression that will help heal the fissures that are expanding with the change in our country’s demographic makeup.

Our second annual Define American Film Festival (#DAFF), taking place at the Harvey B. Gantt for African American Arts + Culture, this Thursday, Friday and Saturday in Charlotte North Carolina, is based on that philosophy. We’ll be sharing stories like “Dolores,” “White People” and “Forbidden: Undocumented and Queer in Rural America” that illuminate the intersectionality of issues ranging from immigration to race to LGBTQ and women’s rights. None of these issues exist in a vacuum. They overlap, intersect and clash in ways that, without the unifying salve of a shared story, will continue to separate us from one another.

We have seen, firsthand, the power that a well-told story can have to change someone’s perspective and open minds. After all, what could be more powerful than seeing the the world through the eyes of another?

Luckily, as technology advances, it brings us more opportunities to connect through story. That’s why at this year’s DAFF, we have partnered with RYOT (owned by AOL/HuffPost) to embrace a new, powerful storytelling medium: virtual reality.

VR is an invaluable tool for those of us in the social impact entertainment space because it quite literally places you inside someone else’s world, often in an environment that you may never otherwise have a chance to experience.

At DAFF, we’ll be sharing three extraordinary VR experiences:

Welcome to Aleppo: One does not flee from their home, unless their home looks like this. For three minutes, stand on the streets of Aleppo, Syria, a city that has been at the center of a civil war for four years. Collected by RYOT’s World Editor, Christian Stephen, this is the first 360 virtual reality footage gathered from inside a war zone. Hear the shots of snipers echo through the streets and see what life remains in this shell of a city.

For My Son: In immersive VR, RYOT and the award-winning filmmakers behind Salam Neighbor have joined forces with UN OCHA to tell the story of a young Syrian restarting his life in Amman, Jordan. Through a heartfelt letter from father to son, challenge the misconception that refugees are a burden and experience the refugee journey from the bombed out buildings of Aleppo to the historical sites of Jordan.

The Crossing: RYOT and HuffPost present “The Crossing,” a virtual reality film and immersive reporting series hosted by Susan Sarandon chronicling the refugee crisis as it unfolds in Greece. The shores of the Mediterranean see thousands of refugees every day who arrive on small boats, evidence for which is seen everywhere in massive piles of discarded life vests. Most of the arrivals are fleeing from Syria and Afghanistan in search of safety, economic stability, and a better life.

Festival attendees will be able to step into other worlds, and we are pleased to be inviting local Charlotte public school students to attend and experience it for themselves.

DAFF is our own act of cultural intervention and resistance. We’re excited to be able to continue our media and culture work with VR: an incredibly powerful tool that can be used by the film world, social justice worlds and educators to expose new realities and open hearts and minds.

DAFF Virtual Reality Schedule:

Thursday, May 11: 6:00 PM – 6:45 PM

Friday, May 12 1:45 PM – 2:15 PM

7:00 PM – 7:45 PM

Saturday, May 13 12:30 PM – 12:45 PM

6:00 PM – 7:45 PM

For more information on DAFF, including the full festival schedule, visit: http://ift.tt/2oUndUO.

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Twitter Slams United For Offering Chicken Nugget Kid Free Flight

Oh, United.

Instead of laying low and just getting passengers from point A to B without sparking public outrage, United Airlines decided to try to get in on some of Wendy’s sweet, sweet publicity action.

The fast food purveyor has been killing it on Twitter with its delightful brand of snark:

And in April, Wendy’s hit a PR goldmine when it told a teen named Carter Wilkerson that he’d have to get 18 million retweets on a single tweet to get a year’s worth of free chicken nuggets.

Wilkerson didn’t reach that insurmountable height, but he did break a world record on Tuesday for the most retweeted tweet of all time, with 3.4 million retweets. The title was previously held by Ellen DeGeneres and her infamous Oscar selfie.

Needless to say, Wendy’s was impressed and offered him free “nuggs” regardless:

Now United has offered Wilkerson a free flight to eat at any Wendy’s in the world:

But due to an early April incident in which Dr. David Dao was violently dragged off a United flight to make room for crew, Twitter is so not having it.

Here are the flyest responses:

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Terrifying Report Reveals That Sexual Violence At School Begins Long Before College

A recent report from the Associated Press found some truly horrifying statistics about sexual violence in grades K-12. 

The investigation explored state education records using federal crime data between 2011 and 2015. The AP uncovered a total of 17,000 official reports of student-on-student sexual violence in grades K-12 in those four years.

According to the research, among children in the K-12 age range, those between the ages of 10 and 14 (namely those in their middle school years) were the most likely to experience sexual violence. Only 5 percent of the sexual assaults detailed by the AP involved 5 and 6-year-olds. The percentage of sexual violence decreased as students hit high school.  

The report tracked multiple types of sexual violence including rape, sodomy, forced oral sex and fondling. The most common form of sexual violence was “unwanted sexual fondling,” with nearly 80 percent of victims reported experiencing unwanted fondling. 

According to the AP’s findings, approximately one in five students reported experiencing rape, sodomy or being penetrated with a foreign object. Rape victims skewed older at an average age of 14 1/2 years old, while sodomy victims were younger at 12 1/2 years old. 

Boys made up the majority of the perpetrators in all these offenses. The peak age of reported female victims was 14 and 95 percent of cases with female victims were perpetrated by males. 

The AP spoke with Wilson Kenney, an Oregon psychologist who has developed student intervention programs for sexual violence, about why these assaults are so rampant in the K-12 range. 

“Everyone feels like we don’t have a problem, and the reason they feel that way is they have their heads in the sand,” Kenney said. “Student-on-student sexual assaults live in the shadows compared to the attention paid to gun violence in schools, most notably the Newtown shooting. There’s no Sandy Hook for sexual misconduct. But I think the potential harm is great.” 

As the AP noted, 17,000 reports of sexual violence in the K-12 grades is most likely just the tip of the iceberg when it comes to how many offenses actually take place. 

“[17,000] does not fully capture the problem because such attacks are greatly under-reported, some states don’t track them and those that do vary widely in how they classify and catalog sexual violence,” the report, authored by Robin McDowell, Reese Dunklin, Emily Schmall and Justin Pritchard, reads. “A number of academic estimates range sharply higher.”

The amount of sexual violence reports the AP found is just as disturbing as how often these offenses were mischaracterized by school administrators and staff as bullying and hazing. 

Kristen Houser, the Chief Public Affairs Officer for the National Sexual Violence Resource Center, told HuffPost that there are multiple reasons why sexual violence is often mistaken for bullying. 

“One reasons for this is that sexual violence is happening as part of a larger picture of bullying and hazing,” she explained. “There is actual bullying and hazing going on and I think it’s easy to sanitize the sexual violence that is a component of that by rolling it into the larger picture of bullying.” 

It really gets to a much broader issue that the general public doesn’t understand the issue of sexual violence.
Kristen Houser, Chief Public Affairs Officer for the NSVRC

While some media outlets pointed to preserving a school’s reputation as a reason administrators might excuse sexual violence as bullying, Houser said it’s more complicated than that. 

“You certainly have administrators who are worried about not wanting to have their school in the news or tagged, but I don’t necessarily think that it’s always driven by an intentional attempt to mislead the community about what’s happened at the school,” she said.

“It really gets to a much broader issue that the general public ― and school administrators are people in the general public ― doesn’t understand the issue of sexual violence or perpetration, they don’t understand how it works. We still think it’s other people who we would know or associate with. When you get into youthful offending it’s very difficult for people to accept that children or teenagers would be involved in this behavior.” 

Houser went on to explain that most people in the general public don’t know the facts when it comes to sexual violence: Most people who perpetrate sexual violence as adults begin these patterns as children; and approximately half of child sexual abuse cases are perpetrated by other children.

School administrators and staff need to be pro-active when sexual violence occurs in schools, Houser said.  

“We really want people to look at this report, take it seriously and recognize that schools have an obligation to maintain safe learning environments under Title IX, just like universities do,” she said. “There are reasons to do it for liability measures, but ultimately, administrators and teachers need to be reminding the school that getting intervention and looking at consequences is a help to both the victim and the perpetrator.”

Head over to the AP to read the full report. 

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Here Are The Canceled And Renewed TV Shows For 2017-2018

For TV fans, spring is a double-edged sword. 

As the 2016-2017 season wraps up with a slew of highly anticipated season (and series) finales before summer TV doldrums hit, the major networks are determining which shows will make the cut and which shows will go the way of “Blood & Oil.” See, you already forgot that existed.  

Every year around May, TV essentially turns into the “Hunger Games” with ABC, CBS, Fox, NBC and The CW debuting their fall TV slates to advertisers at the upfronts. Enter the cancellation bear quietly claiming its victims to make room for the new kids on the block.

With an upcoming TV season full of reboots and revivals ― we’re looking at you “American Idol” and “Will & Grace” ― and a host of promising new shows that will seriously test your DVR storage capabilities, it’s time to pay our respects to the dearly departed and praise the TV gods for giving our faves another chance. 

Here are notable series that have been either renewed, canceled or are set to end after the current season.

We’ll be continually updating this list, so check back for the latest.

NBC

Renewed:

  • “America’s Got Talent”

  • “American Ninja Warrior”

  • “Blindspot”

  • “The Carmichael Show” (Season 3 premieres May 31)

  • “Chicago Fire”

  • “Chicago Med”

  • “Chicago PD“

  • “The Good Place”

  • “Hollywood Game Night” (Season 5 premieres June 22)

  • “The Night Shift” (Season 4 premieres June 22)

  • “Shades Of Blue”

  • “Spartan: Ultimate Team Challenge”

  • “Taken”

  • “This Is Us” (Renewed for Seasons 2 and 3)

  • “The Wall”

  • “Will & Grace” (Revival coming in the fall)

  • “The Voice”

Canceled/Ended:

  • “Aquarius”

  • “Timeless”

  • “Grimm”

  • “Heartbeat”

  • “Emerald City”

 

ABC

Renewed

  • “$100,000 Pyramid”

  • “American Idol” (Reboot airdate TBD) 

  • “The Bachelorette”

  • “Bachelor in Paradise”

  • “Black-ish”

  • “Celebrity Family Feud”

  • “Grey’s Anatomy”

  • “How to Get Away with Murder”

  • “The Middle”

  • “Modern Family”

  • “Scandal” (Renewed for final season)

  • “Jimmy Kimmel Live!”

 Canceled/Ended:

  • “Castle”

  • “Last Man Standing”

  • “Mistresses”

  • “Time After Time”

 

CBS

Renewed:

  • “48 Hours”

  • “60 Minutes”

  • “The Big Bang Theory” (through Season 12)

  • “Big Brother”

  • “Blue Bloods”

  • “Bull”

  • “Criminal Minds”

  • “The Good Fight”

  • “Hawaii Five-0”

  • “Kevin Can Wait”

  • “Life in Pieces”

  • “Madam Secretary”

  • “MacGyver”

  • “Man with a Plan”

  • “Mom”

  • “NCIS”

  • “NCIS: Los Angeles”

  • “NCIS: New Orleans”

  • “Scorpion”

  • “Superior Donuts”

  • “Survivor”

  • “Zoo”

 Canceled/Ended:

  • “American Gothic”

  • “BrainDead”

  • “Rush Hour”

  • “Doubt”

 

Fox 

Renewed:

  • “American Grit”

  • “Bob’€™s Burgers”

  • “Empire“

  • “Family Guy”

  • “Gotham”

  • “Hell’s Kitchen“

  • “The Last Man on Earth”

  • “Lethal Weapon”

  • “Lucifer”

  • “MasterChef”(Season 8 premieres this summer)

  • “MasterChef Junior”

  • “The Mick”

  • “The Simpsons” (Renewed for 2 more seasons, through Season 30)

  • “So You Think You Can Dance” (Season 14 premieres June 12 )

  • “Star”

  • “X Files”

Canceled/Ended:

  • “Bones”

  • “Coupled”

  • “Houdini & Doyle”

  • “Rosewood”

  • “Sleepy Hollow”

  • “Party Over Here”

  • “Pitch”

 

The CW

Renewed:

  • “The 100”

  • “Arrow”

  • “Crazy Ex-Girlfriend”

  • “DC’s Legends of Tomorrow”

  • “The Flash”

  • “iZombie”

  • “Jane the Virgin”

  • “The Originals”

  • “Penn & Teller: Fool Us”

  • “Riverdale”

  • “Supernatural”

  • “Supergirl”

  • “Whose Line Is It Anyway”

Canceled/Ended:

  • “The Vampire Diaries”

  • “Frequency”

  • “No Tomorrow”

  • “Reign”

Check out MetaCritic and TVSeriesFinale for more cancellations and renewals.

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Burn Survivor Poses For Powerful Breastfeeding Photos

A burn survivor’s powerful breastfeeding photos are spreading a message of strength and hope.

Photographer Ivette Ivens captured some striking photos of Schamica “Mimi” Stevenson nursing her son, Josiah.

Stevenson attracted attention after sharing her story and some personal photos on the Facebook page Black Women Do Breastfeed.

In 1985, Stevenson survived a house fire that killed her baby brother when she was just 2 years old, she told HuffPost. Though she needed skin grafts and surgeries through her teen years, she was able to become pregnant and gave birth to her daughter 14 years ago. On March 4, she welcomed her son.

“I am just so blessed that my breasts didn’t get any damage to them and I am able to nurse my little Prince,” she wrote in the Black Women Do Breastfeed post.

The images of Stevenson with her son inspired Ivens. “When I first saw Mimi’s breastfeeding selfie she took with her iPhone, I thought to myself, ‘This woman deserves to have a piece of art that screams STRONG. DEVOTED. WARRIOR.,’” the photographer told HuffPost.

Stevenson was on board with the project. The Michigan mom, who is studying to become a registered nurse, wanted to share her story with the world in the hopes that it would reach someone who needs it. 

“This whole journey has been amazing,” she said. “I’m so happy to encourage other women to breastfeed as well as be an inspiration for others’ self-esteem. Women feel breastfeeding is so hard and time-consuming and just plain-out painful, but I was determined to do so because I’m just thankful to even have my nipples still.”

Ivens shared a photo of Stevenson on her Facebook page, where it received around 7,000 likes. The photographer said they’ve been grateful for the positive comments, messages and media attention. The photo has forged connections between burn survivors and inspired others to count their blessings and persevere in the face of obstacles, she added. 

“Humans tend to stop themselves from achieving their goals because of insecurities, tragedies, illnesses, etc.,” Ivens explained. “Mimi did not have it easy, yet she shines confidence, self-love, fearlessness. All of these features we are already born with, but then life happens and some of them might be washed away. Mimi is a great example of how to fight it back. A true, humble warrior.”

Stevenson told HuffPost she doesn’t want anyone who sees her photos to feel sorry for her. “I want them to instead feel inspired to overcome their flaws and obstacles,” she said, adding that it breaks her heart to know how much anguish people feel about their looks.

“And then there’s me, not a care in the world, walking around as if I look like Beyoncé or Tamar Braxton,” she said. “There are days I get down because I’m human, but I bounce right back and thank God for my life and my beautiful babies I was able to birth and nurse.” 

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11 TV Shows And Films To Watch With Your Mom On Netflix

Not all of our Netflix binges are compatible with our parents’ tastes. Perhaps you’ve tried to explain the appeal of re-watching “Bob Ross” to blank stares, or you fear what they’d think if they found out you regularly fall asleep with “Curious and Unusual Deaths” on in the background.

If you’ll be visiting with mom — or the favorite motherly figure in your life — this weekend and have some extra hours to fill, or simply want to become closer with her through the magic of shared entertainment, try one of these offerings on for size. (Also, consider this your final reminder to buy her a card.)

MOVIES & DOCUMENTARIES

The Parent Trap

Oh, yeah, we’re talking about the original. The classic twin switcheroo tale from Disney offers plenty of wholesome hijinks and ‘60s nostalgia to soak up. 

Iris

In this documentary about the then-93-year-old style icon Iris Apfel, aging is something to anticipate rather than fear. It’s a good reminder for moms and daughters of any age that with a creative spirit, the best is only yet to come. 

Tallulah

When an uninterested mother leaves her toddler in the care of Tallulah, a vagrant type in the throes of a breakup played by Ellen Page, she ends up stealing the kid and crashing at her ex-boyfriend’s mother’s place. Unlikely bonds and police chases ensue.

Queen of Katwe

When Phiona learns how to play chess — and excels at it — she can see a life beyond the poverty-stricken area of Katwe, Uganda, where she grew up. Lupita Nyong’o has a star turn here playing Phiona’s mother, Harriet. 

She’s Beautiful When She’s Angry

If the current political climate has seen both you and your mom take to the streets and go toe-to-toe in news comment sections, take in this retrospective look at the founding of the modern women’s movement, beginning with the start of NOW. Pink pussy hats optional.

TV SHOWS 

The Crown

Queen Elizabeth II is, to put it lightly, a BAMF. This Netflix original follows her in the second half of the 20th century, as she helps a nation rebuild from WWII and takes on the tricky task of building relationships with politicians like Winston Churchill.

Grace and Frankie

The Season 3 plot might make things a little awkward to talk about with mom, but hey — we’re all adults here, right? This show, which follows two older women figuring out their lives after their husbands have revealed they’ve been having an affair with each other, is a charmer through and through.

How to Get Away with Murder

If your mom was the type to let you “get away with murder” as a kid, say thanks by sitting down with her for this juicy, dark drama led by none other than Viola Davis. The plotlines can get somewhat convoluted, but at least you’ll never run out of minute details or shocking deaths to hash over on the phone.

Call the Midwife

A period piece featuring babies, nuns, cardigans and upstart young women — what more could a mom want? This series follows a group of young midwives working in London’s impoverished East End in the ‘50s and ‘60s, which means delectable retro outfits and empowering moments in spades.

Jane the Virgin

There’s nothing like a good modern telenovela to bring people together, and “Jane the Virgin,” with its charming storylines and compelling characters, is destined to become a classic of the genre.  

Great British Baking Show

No one can cook quite like mom, but this show is just as warm and comforting as her homemade mac and cheese. This 10-week cooking competition somehow manages to be wholesome instead of cutthroat, and the delightfully British foods and phrases will give you and your maternal figure a new slew of insider references. 

Bonus Hulu Recommendations:

Netflix doesn’t have all the shows and movies, after all.

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The People Behind ‘Handmaid’s Tale’ Know They’re Giving You Nightmares

Elisabeth Moss and Alexis Bledel are very aware of how harrowing an episode of “The Handmaid’s Tale” can be.

During a discussion at 92Y in New York City, the stars of the Hulu adaptation talked about the undeniable relevancy of their new show, centered on a theocratic regime that goes to terrifying lengths to police women’s bodies and reproductive rights.

When asked by an audience member how the actors would unwind after an eventful shoot ― and, in turn, what they’d suggest viewers do to shake the horror of Gilead themselves ― Moss said she relied on cocktails and sleep for recovery. However, when it comes to the viewers who find the handmaids’ reality too nightmare-inducing to watch, she doesn’t know what to tell you.

“You’re fucked,” she said, followed by a round of applause from an audience made up primarily of women who’d just finished watching the series’ fifth episode. 

“Talk it out,” Bledel suggested.

In that episode, “Faithful,” [Spoiler alert!] Bledel’s character Ofsteven (formerly, Ofglen) hijacks a car and proceeds to speed somewhat comically around a farmer’s market before deliberately running over a Gilead guard. His death is one of the goriest moments in the show, though it pales in comparison to the bloodless violence depicted in the story’s “ceremonies.” In those scenes, the handmaids are all raped by high-ranking officials in the Gilead government, forced to endure regular sexual assault in the service of their dystopian society.

“It is heavy,” Bledel added. “I didn’t find it stressful to work on [the show] at all […] but watching the show is really stressful.”

Indeed. Many, many women have taken to Twitter to express just how stressful the viewing experience can be.

Margaret Atwood, the author of the 1985 classic novel upon which the Hulu series is based, has spoken at length about the importance of her book, maintaining that she made nothing up in telling the story of Offred (played by Moss in the show). Instead, it’s based on historic examples of the oppression of women around the world.

Thirty years after it was published, though, her story has resonated in new and frightening ways. Just last week, shortly after the Senate passed the American Health Care Act (AHCA), women expressed opposition to the bill by flooding social media with “Handmaid’s Tale” references and images. Before that, women protesting legislature in Missouri and Texas dressed up as handmaids to defend reproductive rights.

“The story has always been timely,” Reed Morano, who directed the show’s first three episodes, explained at 92Y. “Everything in the book has happened or is happening somewhere in the world right now, and that’s how it was when Margaret [Atwood] wrote it.” Adding:

The whole message that Margaret was sending in the book is that big changes like this don’t happen overnight, they happen very slowly over time, almost so that you don’t know that they’re happening until it’s too late. We tend to be a little sheltered in America because of the rights that we do have and what we’ve all been used to. One of the things I liked about doing this story is that I thought maybe it will make people really appreciate what they have.

Of the rape scenes that Morano filmed, which she described as “total and utter awkwardness and uncomfortable, unsettling, sickening,” the director assured audience members that they’re intended to stress you out. Even when discussing a tamer act in the show ― the handmaids grocery shopping under fluorescent lights ― she says of her aesthetic choices, “I want to scare the shit out of people.”

Beyond Twitter, women and men watching the show and rereading Atwood’s book have banded together under the auspices of podcasts, book clubs, and watch parties. They’ve no doubt done so out of both excitement for the critically acclaimed adaptation and as a gesture of solidarity.

Watching the show is meant to be hard, and Bledel’s advice ― “talk it out” ― is not unfounded.

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